Archives for business 商业

“VisPop” in Hunger Games Credits!

I’m never one to be that much into credits, but man am I proud of VisPop being up there on the credit-roll of The Hunger Games.  After a year of VisPop being a company, With James, Jim, Ann, and myself working so hard to make things happen, it’s such a great feeling to see VisPop up there on the big screen for the first of MANY times to come!!  With the huge Spectacle surrounding the film, it makes it all the better with our focus as a company.  James, Jim, Ann I’m sorry your names aren’t up there, but VisPop’s is!  WOOOOOOoooooo!  Thanks Rising Sun, Chantal and Lionsgate for doing it, that’s very cool!

VisPop’s work on The Hunger Games 维斯泡泡与《饥饿游戏》

So VisPop just finished up working with Rising Sun Pictures on the “The Hunger Games”.  We came in to help supervise on 209 of the film’s more difficult shots.  We worked closely with the filmmakers and the artists at RSP to execute some amazing visual effects work on what will become one of the years biggest High Spectacle films.

Our main responsibilities for the Hunger Games were the Mutations, the Capital City and the full Tribute Parade sequence including Katniss & Peeta’s Fire wings.  We also worked on a whole load of other cg environments, misc 2d/3d work and Katniss’ kick ass fire dress.  The Capital City was a huge challenge!  The design process went on for a long time, but it is well worth it in the results.  It was very clear that nothing like The Capital has ever existed so it had to be created in cg.  The closest reference was probably Welthauptstadt Germania which we came back to a lot for ideas.  The next biggest challenge were the mutations!  Anytime you get into creature work it’s great and the concept here made it all the more kick-ass.  The hardest part, not unlike any creature work, was in working out how anthropomorphised the critters were.  In this case how much of the characteristics come from the tributes and how much comes from a dog?  I’m really proud of how they turned out, I think the guys did some fantastic cg on the Muts.  It was great to work with Daniel Jeannette again.  He did an amazing job directing the animation!  The other big challenge was the Tribute Parade.  The Tributes, Snow, and some of the close-up crowds were live action, but the rest of that entire sequence is cg.  We did all the Presidential Palace and Avenue, lots and lots of crowd work, all the fire wings… man, just a lot of work.  But when you sit down and see that sequence pieced together it nails the aesthetic of the Capital.  Anytime the visual effects pound home that tone in a smart way you feel proud to have brought that work to the project.

We really do feel privileged to have been part of such an amazing high spectacle film that is clearly destined to have a huge impact on society and culture.  We’ve just returned from Hong Kong where the media storm for Hunger Games is as big as it is here in Sydney.  We haven’t been in North America while the marketing frenzy has been ramping up, but we’re hearing the scale that Lionsgate is pushing the film is almost unprecedented, particularly for a mid-major studio.  It’s all well worth it, the film stays really close to the book and the book is fantastic.  My personal opinion is they have really nailed the empowerment angle for kids.  In the Narnia films, for example, the kids become kings and queens and their empowerment comes through the responsibility those roles bring.  In Hunger Games the kids are thrown into a more gritty and real context where self survival (and all of society’s survival by proxy) becomes the empowerment.  I can see that extra edge being attractive to kids and teens.  Combine in high spectacle action and dystopian, anti-government themes for an entertaining experience for the older demographic  AND of course there’s plenty of romance and elegant dresses.  It’s a cool concept for a film (actually 3-4 films) and no-doubt will cane it at the box office!

VisPop is incredibly proud of the people we collaborated with on the show and would like to think the visual fx work will stand out as some of 2012′s best!  It was great to work with RSP again.  We always have a lot of time for the folks over there in Adelaide who continually are working on some of Hollywoods best!  So go drop the $18AU for a movie ticket, another $10 for some popcorn and sit back to be entertained by High Spectacle Film at it’s best.  Ohhh, not to take sides but VisPop is definitely team Gale… (and Peta sucks.)

Vispop will be @ Filmart!

WE’VE DONE A NEW FOLIO OF OUR 2012 SLATE FOR FILMART HERE  (we’d love feedback!)

Hey folks…  Vispop is traveling to Hong Kong for Filmart from the 19th to the 22nd of March.  We’re looking to build relationships for our English language, High spectacle Independent films to be co-produced in Asia.  Our background comes from Hollywood blockbuster films like the Harry Potters, Terminator Salvation, Wolverine and many more.

Take a look at our newly released  2012 slate  of films and see if you’re interested!  Just drop James or myself an email (james@vispop.com & jdietz@vispop.com) if you’d like to get together and chat about us or yourselves.  We’re looking forward to all the great events at Filmart and the list of attendees looks fantastic.  We can’t wait to be back in Hong Kong!  Hope everyone has a great Show!

cheers!

(We’re gonna try and tweet quite a bit from the show, so follow us on twitter!)

VisPop@Workshop In Sydney

Dan over at Nerdi asked us to be a part of his workshop “Interesting” on Monday night in downtown Sydney.  The speakers will each get a little bit of time to chat about themselves and then there will be a Q&A.  After, the audience will breakout with the speakers and do a bit of a workshop.

I’m gonna talk about taking a film idea and turning it into a practical pitch that can be used to go out and get financing!

Since VisPop is a production company , I’m going to slant it into what we at VisPop want to see to get us excited and then involved in people’s projects.  So everything will be slanted from VisPop’s perspective of High Spectacle Low Budget Films.

During the “Interesting” Workshop we’ll make a list of the key questions you need to ask yourself/yourGroup before investing time or resources into pitching a film.  VisPop will then setup a website where the group will continue defining a pitch brief for a project the group wants to develop.  If the group is interested, VisPop will continue helping the group  work on the pitch.  If the group is STILL interested and have finished the pitch, VisPop will assess the pitch and see if we want to get involved with the project officially, or possibly we can pass on the pitch to people we know.  Then who knows, maybe the film will get made?

There are gonna be some great speakers and the guys at Nerdi are awesome, so we’re really looking forward to the night!  Come on along, the info is below.

jdietz

 

Film making for independent film makers has always been an art of love. There is such a huge wealth of creative talent out there but sadly so many of their ideas never make it to a screen.“Interesting” – a film funding and distribution workshop, endeavours to remove the inhibitions that stop these great ideas. We have assembled a group of inspiring and innovative people who will address the process of creating sustainable film making.
It all starts with an idea… Let’s make it possible to make it reality.Adam Chapnick is a principle at IndieGoGo.com and the founder of Distribber.com. Adam is a new-model film distribution specialist known for flipping Hollywood convention on its ear by employing a mix of grassroots, online and digital distribution strategies. He has overseen the theatrical, home video and grassroots distribution of dozens of documentaries since 2002.

Simon Sheikh is national director of the community advocacy group GetUp! GetUp is an independent, grass-roots community advocacy organisation giving everyday Australians opportunities to get involved and hold politicians accountable on important issues. Simon has used the medium of film to great effect for social change through GetUp!’s campaigns.

Jemima Robinson is the Australian director of the Banff Mountain Film Festival. Jemima has been running the festival for 6 years and has a unique insight into film festivals and the selection criteria. Jemima is passionate about film and adventure and regularly travels to some of the most remote locations to pursue these passions.

Gabrielle Rogers & Georgina Drury are obsessed with film, education and students. They are a Director and Producer team who have created some of the most beautiful Shakespeare interpretations to inspire students into a love affair with Shakespeare and film. They have collaborated with NIDA and the FTO to realise their dream. They have recemntly launched Shakespeare Shorts a series of 3 short films based on his enduring plays A midsummer Nights Dream, Hamlet and Sonnets.

John Dietz is the co-founder of the Fox Studios based production company VisPop. As a visual effects supervisor on films like 28 Weeks Later, Where the Wild Things Are, Terminator: Salvation and most recently The Hunger Games, John is known for leading large teams with passion and commitment, and delivering results that blow audiences away. For the past year he and his colleagues at VisPop have been drawing on this blockbuster experience to develop a slate of high concept, visual effects heavy independent films. John is determined to create original, quality content that will resonate with lovers of high spectacle films around the world.

steve jobs rest in peace…

“Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do…”  –  steve jobs

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“Toy Story,” for example, took four years to make while Pixar struggled, yet Mr. Jobs never let up on his colleagues. “‘You need a lot more than vision — you need a stubbornness, tenacity, belief and patience to stay the course,” said Edwin Catmull, a computer scientist and a co-founder of Pixar. “In Steve’s case, he pushes right to the edge, to try to make the next big step forward.”

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If he had a motto, it may have come from “The Whole Earth Catalog,” which he said had deeply influenced him as a young man. The book, he said in his commencement address at Stanford in 2005, ends with the admonition “Stay Hungry. Stay Foolish.

“I have always wished that for myself,” he said.

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“Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life.” ~Steve Jobs

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“Your time is limited, so don’t waste it living someone else’s life… have the courage to follow your heart and intuition.” – Steve Jobs

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Pres. Obama: There may be no greater tribute to Steve’s success than fact that much of world learned of his passing on a device he invented.

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My job is not to be easy on people. My job is to make them better.

 

The Secrets of Storytelling: Why We Love a Good Yarn

When Brad Pitt tells Eric Bana in the 2004 film Troy that “there are no pacts between lions and men,” he is not reciting a clever line from the pen of a Hollywood screenwriter. He is speaking Achilles’ words in English as Homer wrote them in Greek more than 2,000 years ago in the Iliad. The tale of the Trojan War has captivated generations of audiences while evolving from its origins as an oral epic to written versions and, finally, to several film adaptations. The power of this story to transcend time, language and culture is clear even today, evidenced by Troy’s robust success around the world… <read the full article here> @ <http://www.scientificamerican.com/>

I’m geeking out on this one, so interesting the idea of a drive for story…  As a storyteller it makes so much sense.  Great read for anyone creative, or who likes creative products… oh everyone!

 

James Cameron – Spiderman Scriptment!

This is awesome… the drawings are great, and I love the storytelling.  Complete score if you’re a fan of spiderman or Cameron!  <see the full scriptment here>

 

must Watch: the creepy, bloody first 5 minutes of american horror story

There’s plenty of buzz surrounding the new latex-humping horror series American Horror Story, but what’s is this bizarre show really about? We rounded up every detail, image, screengrab, trailer, review and viral ad we could find, and squeezed out every precious piece of information from the heart of horror… <see the first five minutes here> @ <http://io9.com/>

<there’s more of a synopsis here>

And the viral sit <can be found here>

This looks pretty cool… from the creators of Glee?  Obviously they can tell a story.   The five minute preview looks pretty cool, although the camera is flying around a little much for my liking.  But hey, i’m into zombies…

What I’m really into is how they’re releasing a lot of material to drum up interest.  So it’s intriguing from a business pov.

I’ll definitely check it out!

 

the sea caverns of singapore

SINGAPORE — Beneath the seabed west of Singapore, hundreds of laborers are working around the clock to carve out a network of tunnels and caverns that will eventually provide an enormous, secure storage space for oil<read the full story here> @ <http://www.nytimes.com/>

And also you can <read another article and see a news clip here> @ <http://io9.com/>

You think they’ll let us shoot in there before they fill it up with oil?  I’m so gonna ask!

Shout to Korea, Action!

Besides Korea’s well known cell phone, semi-conductor and shipbuilding industries, Korean film has also become globally renowned. The industry went through rapid growth in various areas over the last decade and achieved significant developments in its quantity.

The creative stories and dynamic images featured in Korean films have gained the world’s attention. Several films were shown to wide acclaim in major film festivals across the globe catching the eyes of both film professionals and the world audience. Therefore, Korea is becoming the first country film professionals look to when searching for new talent… <read the full story here> @ <http://www.biztechreport.com/>

We have some great connections in Korea and are actively sourcing work there.  Very interesting and creative country that we would love to do business in!